“Nomadland” Review: Home Is Not A Place, It’s The People
How many of us would be willing to embrace a minimalistic lifestyle, giving up almost all of our belongings, roaming...
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“Judas and The Black Messiah” Review: The Price Of Betrayal Isn’t Just Thirty Shekels of Silver
Let's get this out of the way first. "Judas and The Black Messiah" is in no way related to the...
Netflix’s To All The Boys: Always And Forever Review – Please Never Again
Whether you care to admit or not, we’re all somewhat molded by our angst-ridden high school days. Films based on...
Netflix’s Crime Scene: The Vanishing At The Cecil Hotel Review – One Of The Creepiest Documentaries We’ve Seen
It all seems so impossible. As if it was all fabricated and written to be some cheap B-grade horror film....
Netflix’s Space Sweepers Review: A Recycled Piece Of Science-Fiction Cinema
For the longest time, dystopian science-fiction films have always struck us as a distinctly American Fantasy. A new, lawless, wild...
Robert Zemeckis’ “The Witches”: Another Addition To Unnecessary Reboots
Something that feels out of touch these days is a lack of creepy fantasy children's films. What was once a...
Netflix’s Outside The Wire: A Cerebral, Action-Packed Attack Against Imperialism
Most people simply know actor Anthony Mackie as the Falcon from the Marvel Cinematic Universe (MCU). Either that, or through...
Pixar’s “Soul” Review: An Afterlife Worth Watching
Those who have grown up watching Pixar films know of the studio's unique ability to dress mature, adult themes in...
Ma Rainey’s Black Bottom: Chadwick Boseman Gives All In His Final Feature Performance
The blues is a big part of African American history and culture. Built-up from the Deep South, it became a...
Wonder Woman 1984 Review: The Blockbuster We Needed, But Not The One We Deserve
It has been four years since Gal Gadot's Wonder Woman first showed up in Zack Snyder's Caped-Crusader-Son-of-Krypton match-up, jumping into...
