Francis Roman, the Chinese Malaysian rapper who performs primarily in Bahasa Malaysia, is drawing regional attention after being officially invited to perform at BigBang Festival 2025 in Jakarta. The major New Year’s Countdown event attracted over 30,000 live attendees.
In a regional music scene where language and cultural boundaries often define audiences, Francis’s rise stands out. As a Chinese artist choosing to rap in Malay, he represents a growing cross-cultural wave in Malaysian hip-hop, one that is now gaining traction beyond national borders.


Francis’ musical journey began at home, singing children’s songs with his mother. At 12, he discovered rap and was drawn to its rhythm, storytelling, and raw emotional expression. By 15, he was already performing with a band and competing in music competitions, frequently emerging as a winner.
His path, however, was not without hardship. During his college years, Francis faced financial struggles while continuing to pursue music. In 2017, he took a significant leap by writing and producing his own material. He also made a defining decision to rap predominantly in Bahasa Malaysia, a choice that challenged expectations for a Chinese Malaysian artist at the time. That same year marked a breakthrough when he became a Top 4 finalist at Aloft Perth Amplified by MTV Asia 2017, placing him on a wider international radar.
Tracks such as “Wangsa Maju”, “Ok Je”, and “Spit It Out” later gained strong recognition within Malaysia’s hip-hop community. He also co-founded the YouTube collective FKK Heros, where their content resonated strongly with youth audiences, with several videos surpassing one million views.


In parallel, Francis built credibility in the competitive rap battle scene, earning respect for his sharp lyricism, quick wit, and commanding stage presence. By 2025, clips of his performances began circulating widely on social media, catching the attention of overseas audiences and eventually leading to his invitation to perform on Jakarta’s countdown stage.
From a Chinese kid rapping in Malay at local stages to performing before tens of thousands overseas, Francis Roman’s journey reflects more than personal success — it signals how cross-cultural Malaysian music is beginning to resonate across the region.






